Masterpiece Collection · 鼠志野燒
墨影流雪：窯火與碳素的古老契約
這件作品誕生自何博泉大師之手，是當代陶藝界極難一見的「鼠志野」傳奇之作。它的靈魂，來自於高溫窯爐中一場驚心動魄的缺氧試煉。
大師在胚體上手工敷塗富含鐵質的氧化鐵泥，並以刀代筆，利落地剔刻出寫意的幾何草花紋樣，隨後施以厚重的長石釉，投入千度窯火中。在極致的「強還原燒」環境下，窯爐內被強行剝奪了氧氣，使底層的鐵泥轉化為深邃神祕的灰黑色墨影；而空氣中游離的微細碳素，則在釉面融熔的瞬間被緊緊捕捉，化作器表上如繁星般點綴的黑色「碳陷（Carbon Trapping）」與橘皮針孔。
通體凝脂般的白長石釉，宛如初春尚未融化的積雪，優雅地覆蓋在水墨岩壁之上。翻轉茶碗，圈足裸露的粗陶土在烈火逼迫下，泛出溫潤厚實的杏橘色火痕（Flashing marks）。這是一只將長達數十小時的窯內風暴、濃縮於掌中方寸的當代侘寂精品。
Ink Shadows & Drifting Snow: An Ancient Alchemy of Fire
Crafted by Master He Bo-Quan, this extraordinary piece stands as a definitive monument to the rare “Nezumi Shino” (Gray Shino) legacy. Its profound character is born from a high-temperature crucible of intense atmospheric reduction.
Before firing, an iron-rich slip was meticulously coated onto the clay body, through which Master He deftly incised abstract botanical motifs. A thick layer of classic feldspathic glaze was then applied over the composition. During the rigorous reduction firing stage, the kiln was heavily starved of oxygen, chemically reducing the underlying iron slip into an enigmatic, smoky charcoal-gray hue. Concurrently, microscopic carbon elements in the kiln atmosphere became permanently captured within the melting glaze, creating the magnificent specks known as “carbon trapping.”
The lush, unctuous white glaze mimics the heavy presence of early spring snow resting elegantly atop ink-washed mountain crags. Turning the vessel reveals the raw, exposed clay of the foot ring, which has blossomed into rich peach-orange flashing marks under the absolute mastery of kiln control. This chawan is a sublime monument of Wabi-sabi aesthetics, capturing the untamable tempest of fire within the palm of your hand.
